Her fingers were shaking. They stared at each other for a while through the screen door. She felt a little lightheaded. She backed away from the door but did not want to go into another part of the house, as if this would give him permission to come through the door.
In Joyce Carol Oates story, Connie is, at first, a stereotypical teenage girl, superficial, self-centered, vain, and deceitful. Connie stared out at him and behind him at Ellie in the car, who seemed to be looking off toward Connie's right, into nothing. Connie looked away from his smile to the car, which was painted so bright it almost hurt her eyes to look at it.
He grinned to reassure her and lines appeared at the corners of his mouth.
Right now they're uh—they're drinking. I cut this here to show you the progression from uncertainty and the possibly welcoming behavior of Connie to her feeling like maybe these guys were really creeps, and should go. Now she remembered him even better, back at the restaurant, and her cheeks warmed at the thought of how she had sucked in her breath just at the moment she passed him—how she must have looked to him.
And high heels, the poor sad bitch—nothing like you, sweetheart! Didn't you see me put my sign in the air when you walked by? His teeth were big and white. He had not moved yet but stood still leaning back against the side of his jalopy.
Would the police get there before Friend got inside? The music that "made everything so good" is always in the background of Connie's head, as she feels it is like the music at a church service, "something to depend upon.
Does he just mean a little hugging and kissing, maybe second or third base? Not only does Connie live with her mother, but her twenty-four year old sister, June, and her father also share the same house. Wouldn't he come back and get the family if the police did send him away, tell him to push off, because really, what crime had he committed—trespassing?
But we know better. Arnold frightens Connie, causing her to call out for her mother. The relationship with the sister is also unpleasant because the mother praises June more often because there are nine years of difference between Connie and Jean; in addition, their sibling rivalry is still in existence.
Everything about her had two sides to it, one for home and one I like them the way you are, honey," he said, smiling sleepily at her.
I know all about you. Rock music is playing in all of the important scenes of the story. Connie realizes that she cannot like Arnold Friend, not only for the obvious reasons, but also because she is naturally incapable of doing so.
You won't want that. The way he straightened and recovered from his fit of laughing showed that it had been all fake.
The hell with this house! Wegs argues the symbolism of Arnold Friend as a Satan figure when she writes: Mayfield Publishing C, Don't hem in on me, don't hog, don't crush, don't bird dog, don't trail me," he said in a rapid, meaningless voice, as if he were running through all the expressions he'd learned but was no longer sure which of them was in style, then rushing on to new ones, making them up with his eyes closed.
Works Cited Dylan, Bob. There is a thread buried in this story, one more layer of uncertainty, where Oates hints at the fantastic. It looks solid all right," he said. Connie does not know this boy, whom she soon realizes is an older man, and does not want to go with him.
Arnold wants to take Connie for a ride in his car. He grinned to reassure her and lines appeared at the corners of his mouth. He took off the sunglasses and she saw how pale the skin around his eyes was, like holes that were not in shadow but instead in light.
In these final moments, it becomes clear how much Connie actually loves her family.I’m going to be doing something a little different this column. Instead of dissecting one of my stories, I’m going to dissect a classic short story, “Where Are You Going, Where Have You Been,” by Joyce Carol Oates.
analysis of connie, joyce carol oates, where are you going where have you been Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University.
I'll hold you so tight you won't think you have to try to get away or pretend anything because you'll know you can't. And I'll come inside you where it's all secret and you'll give in to me and.
True Meaning “Everything about her had two sides to it, one for home and one for anywhere that was not home”(), this character, Connie, in “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, is depicted as a self-centered, condescending, insecure.
Get an answer for 'Write a character analysis of Connie in "Where Are You Going, Where Have You Been?"Joyce Carol Oates' and find homework help for other Where Are You Going, Where Have You Been.
Connie. BACK; NEXT ; Character Analysis (Extra)Ordinary. Persephone. Antigone. Ophelia. Catherine Earnshaw. In the list of great tragic heroines, Connie doesn't really seem to fit.
She's the girl next door: she's ordinary, even bratty. She's the "pretty one" in the family and thinks she's superior to her mother and her sister because of it.Download